Ways to Disappear, by Idra Novey


Ways to Disappear

By Idra Novey

Little, Brown and Company, 2016

258 pages

Ways to Disappear is about a Brazilian author, Beatriz Yagoda, who goes missing in a tree. Emma, Beatriz’s American translator, travels from Pittsburgh to Salvador to help Beatrice’s children, and her publisher, find the author, who was not found in said tree. Told in short snappy chapters, the search for Beatriz leads to an unlikely series of events and discoveries, including that Beatriz had a lot of debt from gambling.

The author, Idra Novey is an American writer and poet who has translated Clarice Lispector. I love Lispector, a Brazilian author. For those of you who do not know her, she is a master of the absurd, quirky short story. Ways to Disappear feels almost like an homage to Lispector, while being distinctly the work of another writer.

I don’t want to give away too much of the plot, but I enjoyed this book as much for its writing and language as for the story. Novey’s love of language infuses the book. And there is a meta-layer to the story as Novey is a translator writing about a translator and her relationship with a missing author. If you’re looking for a different kind of novel, with beautiful language, this is a great one to pick up.

Novey teaches writing in the New York area and has also published books of poetry.


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Post-Debut Struggles

Many articles are written about debut writers who get a big advance and whose lives are changed by having their books published. But only a few have such luck/opportunity. For most debut novelists, their book comes out, and after the flurry of readings and reviews, they return to a life much like the one they led before.

Merritt Tierce, in her essay, “I published My Debut Novel to Critical Acclaim—and Then I Promptly Went Broke,” published in Marie Claire, writes about her post-debut struggles. Her novel, Love Me Back, was widely written about and got much praise when it came out in 2014. She has sold over 12,000 copies. But this is still not enough to pay back her advance, so she has made no money from the book since it published. The essay is an honest look at how hard it is to make a living as a fiction writer, even if one does write a successful book. I appreciate having this story shared, even if it is not as uplifting as the ones about those who get a big advance..

And here at Proto Libro I have fallen behind with my reviews, but have some I’m working on and will post next month. I find Fall is a nice time of year to settle in with a good book.

Thanks for reading, stopping by!



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Two Views on Debuts…

Bookends is a New York Times Book Review column in which two writers write about one topic from two perspectives. This week’s column is: Why Do Debut Novels Command So Much Attention? Leslie Jamison compares the appeal of debut novelists to the NBA draft and suggests that reading debuts gives readers, “the chance to read an author before she has become a legacy.” Ayana Mathis looks at the weight of the debut, and delves into the extent to which, “a debut novel is a piece of the writer’s soul in a way that subsequent books can’t ever quite be.”

Both pieces offer lucid insights into the power of the debut and acknowledge that for every debut that gets a big advance there are many worthy books that never sell, nor make it into bookstores. The two views provide insightful looks into why the debut novel is such a marketable book—as either the next hip book to read and talk about at a party, or the book that the author needed to write to feel fulfilled.

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A Front Page Affair, by Radha Vatsal


A Front Page Affair

By Radha Vatsal

Sourcebooks, 2016

336 pages

When I was a kid, my maternal grandmother always had a mystery in hand. She loved Agatha Christie but would read any book that had a missing character or a mysterious plot. I remember reading Agatha Christie as a child because I wanted to read books I knew she liked. I wanted to be like her.

A Front Page Affair is a classic who dunnit? Set in New York City in 1915, the story features a smart and becoming narrator–Kitty Weeks. Just 19, Kitty lives with her father in New York after attending boarding school in Europe. She dreams to be a journalist and works for the Ladies’ Page (yes, one page!) of a paper called the New York Sentinel. Her first assignment is to cover a Fourth of July party at a country club and this seemingly banal social story leads her into a mystery that is the heart of the book.

I don’t want to give away too much of the mystery, but the story focuses on a murder and is full of a range of New York characters, including her editors at the paper, a society friend who wants to be a nurse and head off to Europe, the humble secretary of a wealthy society woman and Kitty’s father, a businessman who doesn’t share much about his work with her. There is a lot of historical detail in the book. I enjoyed the time period and setting, and found Kitty, nickname for “Capability,” to be an insightful and enjoyable narrator. The book twists and turns and comes to a satisfying end. If you enjoy a good mystery, this is a fun one to get swept up in. My granny would have enjoyed it.

Vatsal lives in New York City. And like all good mystery writers, is planning a Kitty Weeks series.




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All Strangers Are Kin, by Zora O’Neill


All Strangers Are Kin: Adventures in Arabic and the Arab World

By Zora O’Neill

Houghton Mifflin Harcourt, 2016

336 pages


All Strangers Are Kin is a linguistic romp through the Arab-speaking world in which O’Neill struggles to learn various Arabic dialects and sheds light on how difficult it is to become fluent in another language, especially one so different than her own. O’Neill, who studied Arabic in college and later did graduate work in Arabic Literature, is in her late 30s when she spends a year living in Egypt, The Gulf, Lebanon and Morocco.

She begins in Cairo, where she admits that she no longer wants to study the formal written form of the language, Fusha, and instead sets out to learn the local dialect. She reconnects with old friends and tries to find her way in a city that has changed since the January Revolution. In the UAE, she searches out local Arabic speakers in a community where most people are transplants, and ends up the only student in her Arabic class. In Lebanon and Morocco she has more success studying Arabic and regularly strikes up conversations with locals, but encounters two more dialects she is never fully able to master.

Before reading this book, I knew Arabic was a language with many distinct local dialects, but did not know how much they varied. O’Neill is open about her struggles using Arabic and dubs her travels, “my Year of Speaking Arabic Badly,” which nicely sums up her reflective and self-effacing character. But she loves Arabic language play and relishes in their idioms. And she is most at home with the dialect in Egypt, where they have a sense of humor she enjoys. As I read the book, I felt like I was traveling along with O’Neill — driving a car with her in the UAE desert, hiking in Lebanon and visiting a Berber village in  Morocco. If you enjoy different languages and want to learn more about Arabic, and the Arabic-speaking world, I think you will enjoy this book.

O’Neill is an accomplished travel and food writer. She has written travel guides for Rough Guides, the Lonely Planet and Moon and also published a cookbook, Forking Fantastic, about an underground supper club she hosted for many years with a friend in Queens. My path has crossed with hers in New York and she is as delightful on the page as she is in person.

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An interview with Yaa Gayasi

Homegoing by Yaa Gyasi is being written up as the season’s, even the year’s, debut to read. It is a sweeping historical story, about the contrasting lives of two half sisters from Ghana and multiple generations of their families. The book starts in the late 18th century when one sister marries a British man and lives in Cape Coast Castle while the other is sold into slavery and ends up in the United States. The book tells a sweeping history of slavery while also recounting their unique life stories.

In this interview with Aaron Zimmerman, Executive Director of the NY Writers Coalition, Gayasi talks about her motivations for writing this book, books and teachers who influenced her and what it feels like to write a book that’s getting buzz.

I have a copy of the book waiting for me next to my bed and I can’t wait to read it. Have any of you picked it up?

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We Love You, Charlie Freeman, by Kaitlyn Greenidge


We Love You, Charlie Freeman

By Kaitlyn Greenidge

Algonquin, 2016

326 pages

We Love You, Charlie Freeman tells two stories. In the present day, the 1990s, the Freeman family moves to New England so Laurel, the mother, can work on a sign language research project at the Toneybee Institute. A monkey, Charlie, will live with the family. Laurel, a sign language instructor, sees this job as a professional opportunity, but the experience takes a toll on the family. The Freemans are African-Americans living in a small, white rural New England town, and Laurel’s two daughters negotiate their race at school while they also learn to accept their mother’s devotion to Charlie at home. The second story is set in 1929, and explores the history of the Toneybee Institute and the Institute’s reputation for studying African Americans.

There are so many layers to this story. It is a book about sisters. There is a coming of age theme. It is a story of a family redefining itself and what it means to be a minority in a rural white New England community. The book also explores race and science. Greenidge gracefully delves into all of these themes while also being funny! I heard her read the opening at an event this spring and it was laugh out loud funny and made me immediately want to buy the book. I was quickly drawn in to her story and transported into both of the worlds she exquisitely creates.

Greenidge lives in New York and also writes essays. She wrote a very poignant essay about a garden her mother tried to plant that was published the New York Times earlier this year.





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