Tag Archives: Jan Richman

3 thoughts on the debut novel in 2013

ONE — You don’t have to be young to debut. The biggest surprise of this year of reading has been the age of the authors. While plenty of debut and emerging writers are in their twenties and thirties (enter Eleanor Catton), a quarter of the books I reviewed in 2012/2013 were published by authors over the age of 40 and there are many who debut after the age of forty or even fifty. Charlotte Rogan signed a contract on The Lifeboat right after her 57th birthday. Ben Fountain was a National Book Award finalist for Billy Lynn’s Long Hafltime Walk, also published in his fifties. And later this year I am going to review Lies You Wanted to Hear, by James Whitfield Thomson, who is 67. We live in a time when it is OK, even exciting, to celebrate authors who publish their first books after 40. There is even a blog, Bloom, which writes about emerging authors in this age band.

TWO — There is no formula. Some debut novels are written in first person, others in third. Some are sprawling and written in many voices, others are smaller and written from one POV. Some authors show more than tell and others tell more than show. I give Kevin Wilson a shout out for the debut novelist best able to show – I don’t think there is a single page in The Family Fang, which summarizes or recounts, but each of the books I read had a unique voice, a flair which made me feel like anyone who cites a rule for what kind of novel can make it is not reading what is being published today. And while the two most experimental books I read this year, Thrill-Bent by Jan Richman and Leaving the Atocha Station, by Ben Lerner, were published by small presses, Tupelo and Coffee House Press, respectively, mainstream publishers do take risks. When I read The Snow Child, by Eowyn Ivey, and published by Reagan Arthur/Little Brown, I was drawn in to the story and the prose, but never would I have predicted this book could be a finalist for the Pulitzer. And Narcopolis, by Jeet Thayil, published by Penguin, is a free spirited book that reminded me of the books published by small presses.

THREE — The novel is not dead. After reading such a range of debut novels in the past year, I feel strongly that the novel is alive and well in American culture; there actually isn’t enough time in a year for any one person to read and review all of the stand out debut books published. As a culture we might not read as many novels as we did 10 or 20 years ago, but there is an appetite for writing fiction, and it is exciting to read new authors and books.

What do you think? What have you noticed about debut novels in 2013?


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Thrill-Bent, by Jan Richman

Thrill Bent


By Jan Richman

Tupelo Press, 2012

324 Pages

A journalist, named Jan Richman, is working for BadMouth Magazine when she gets an assignment to research and write about roller coasters nearing their demise. Richman begins with the Coney Island Cyclone, then visits the Kukwa-dan in Houston, the Tumbler in Salt Lake City and ends up on the Giant Dipper in Mission Beach, California. She chronicles her visits to, and her rides on, each roller coaster, encountering a unique collection of tour guides along the way. Woven between the roller coaster chapters are coming-of-age reflections of Jan growing up in California with a father who has Tourette’s. The book culminates with the Mission Beach ride and her widower father’s second marriage to a woman 30 years his junior.

An acclaimed poet, Richman (the author) has an insightful and engaging narrative voice, and a beautiful use of language. I found myself reading passages out loud, I was so taken with her prose. This is a character-driven, desultory story. When Jan is not riding roller coasters, she has sex New Orleans, does Karaoke with teenage girls in Houston, and gets a lap dance and meets a Spanish conceptual artist in Vegas. Jan is an adventurous spirit, willing to jump into any new situation. And since the story is told from a very close first person point of view, I felt very close to her on the page.

Richman lives in the Bay Area and created a fabulous book trailer. She was interviewed in Bitch magazine where she talks about why she named her fictional character after herself.

I bought the e-book version of this title. This is Tupelo Press’s first e-book.


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