Monthly Archives: September 2016

Post-Debut Struggles

Many articles are written about debut writers who get a big advance and whose lives are changed by having their books published. But only a few have such luck/opportunity. For most debut novelists, their book comes out, and after the flurry of readings and reviews, they return to a life much like the one they led before.

Merritt Tierce, in her essay, “I published My Debut Novel to Critical Acclaim—and Then I Promptly Went Broke,” published in Marie Claire, writes about her post-debut struggles. Her novel, Love Me Back, was widely written about and got much praise when it came out in 2014. She has sold over 12,000 copies. But this is still not enough to pay back her advance, so she has made no money from the book since it published. The essay is an honest look at how hard it is to make a living as a fiction writer, even if one does write a successful book. I appreciate having this story shared, even if it is not as uplifting as the ones about those who get a big advance..

And here at Proto Libro I have fallen behind with my reviews, but have some I’m working on and will post next month. I find Fall is a nice time of year to settle in with a good book.

Thanks for reading, stopping by!



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Two Views on Debuts…

Bookends is a New York Times Book Review column in which two writers write about one topic from two perspectives. This week’s column is: Why Do Debut Novels Command So Much Attention? Leslie Jamison compares the appeal of debut novelists to the NBA draft and suggests that reading debuts gives readers, “the chance to read an author before she has become a legacy.” Ayana Mathis looks at the weight of the debut, and delves into the extent to which, “a debut novel is a piece of the writer’s soul in a way that subsequent books can’t ever quite be.”

Both pieces offer lucid insights into the power of the debut and acknowledge that for every debut that gets a big advance there are many worthy books that never sell, nor make it into bookstores. The two views provide insightful looks into why the debut novel is such a marketable book—as either the next hip book to read and talk about at a party, or the book that the author needed to write to feel fulfilled.

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