Tag Archives: James Whitfield Thomson

Lies You Wanted to Hear, by James Whitfield Thomson

Lies_Hear

Lies You Wanted to Hear

By James Whitfield Thomson

Sourcebooks Landmark, 2013

416 pages

This is the most suspenseful love story I have ever read!

In the late 1970s, in Boston, Lucy and Matt are set up by a mutual friend. Lucy is trying to get over Griffin, a man unable to commit, and Matt is just willing to go on a date. Although they come from different backgrounds, Matt is a cop who grew up in small town Pennsylvania, and Lucy is a recent college grad with an admin job at Harvard, who comes from a wealthy Connecticut family, they fall in love, and eventually marry after Lucy gets pregnant. But their love is never equal and this creates complications. Told in alternating chapters the book explores both sides of their love story and the pain of having children with someone who does not turn out to be the partner you wished they would become.

The book opens with Lucy in the 1990s, and she is living alone, establishing in the first pages that Lucy and Matt’s marriage ends. Thomson builds suspense around the how and why, skillfully twisting and turning the story, until he lands on what I found to be a satisfying and realistic note. This is a family drama—a story of love and betrayal. And because the book is set up to explore how their love ends, the story is infused with suspense not often found in love stories.

Thomson lives in Boston with his family. He is publishing this debut in his 60s–another example that there is room for older debut novelists–and did not publish his first short story until he was forty.

I received an e-copy of this book from the publisher via NetGalley.

 

 

 

 

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3 thoughts on the debut novel in 2013

ONE — You don’t have to be young to debut. The biggest surprise of this year of reading has been the age of the authors. While plenty of debut and emerging writers are in their twenties and thirties (enter Eleanor Catton), a quarter of the books I reviewed in 2012/2013 were published by authors over the age of 40 and there are many who debut after the age of forty or even fifty. Charlotte Rogan signed a contract on The Lifeboat right after her 57th birthday. Ben Fountain was a National Book Award finalist for Billy Lynn’s Long Hafltime Walk, also published in his fifties. And later this year I am going to review Lies You Wanted to Hear, by James Whitfield Thomson, who is 67. We live in a time when it is OK, even exciting, to celebrate authors who publish their first books after 40. There is even a blog, Bloom, which writes about emerging authors in this age band.

TWO — There is no formula. Some debut novels are written in first person, others in third. Some are sprawling and written in many voices, others are smaller and written from one POV. Some authors show more than tell and others tell more than show. I give Kevin Wilson a shout out for the debut novelist best able to show – I don’t think there is a single page in The Family Fang, which summarizes or recounts, but each of the books I read had a unique voice, a flair which made me feel like anyone who cites a rule for what kind of novel can make it is not reading what is being published today. And while the two most experimental books I read this year, Thrill-Bent by Jan Richman and Leaving the Atocha Station, by Ben Lerner, were published by small presses, Tupelo and Coffee House Press, respectively, mainstream publishers do take risks. When I read The Snow Child, by Eowyn Ivey, and published by Reagan Arthur/Little Brown, I was drawn in to the story and the prose, but never would I have predicted this book could be a finalist for the Pulitzer. And Narcopolis, by Jeet Thayil, published by Penguin, is a free spirited book that reminded me of the books published by small presses.

THREE — The novel is not dead. After reading such a range of debut novels in the past year, I feel strongly that the novel is alive and well in American culture; there actually isn’t enough time in a year for any one person to read and review all of the stand out debut books published. As a culture we might not read as many novels as we did 10 or 20 years ago, but there is an appetite for writing fiction, and it is exciting to read new authors and books.

What do you think? What have you noticed about debut novels in 2013?

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