We Love You, Charlie Freeman
By Kaitlyn Greenidge
We Love You, Charlie Freeman tells two stories. In the present day, the 1990s, the Freeman family moves to New England so Laurel, the mother, can work on a sign language research project at the Toneybee Institute. A monkey, Charlie, will live with the family. Laurel, a sign language instructor, sees this job as a professional opportunity, but the experience takes a toll on the family. The Freemans are African-Americans living in a small, white rural New England town, and Laurel’s two daughters negotiate their race at school while they also learn to accept their mother’s devotion to Charlie at home. The second story is set in 1929, and explores the history of the Toneybee Institute and the Institute’s reputation for studying African Americans.
There are so many layers to this story. It is a book about sisters. There is a coming of age theme. It is a story of a family redefining itself and what it means to be a minority in a rural white New England community. The book also explores race and science. Greenidge gracefully delves into all of these themes while also being funny! I heard her read the opening at an event this spring and it was laugh out loud funny and made me immediately want to buy the book. I was quickly drawn in to her story and transported into both of the worlds she exquisitely creates.
Greenidge lives in New York and also writes essays. She wrote a very poignant essay about a garden her mother tried to plant that was published the New York Times earlier this year.
Did you know that Harriet Doerr and Annie Proulx published their debuts after the age of 50? And that Doerr was in her 70s when her first book came out? I didn’t until I read this short piece published by the Center for Fiction, and written by Elizabeth Marro, an author who recently published her own debut in her 50s. I have written about other authors who got their debuts published later in life, but this is the first I have read about the age of these particular authors. I have been working on my own novel for many years and am not sure when it will be published. It is comforting to know that if I debut later in life I will be in good company.
And then there is Arlene Heyman whose debut collection of short stories, Scary Old Sex came out this spring. She is 74. And not only has she been working on the book for many decades, with some of the stories being published in journals, the title is literal–many of the stories are about older people and their sex lives. I love that she not only published a book at her age, but that she also writes about what it means to be sexually active in one’s 60s and 70s. It is nice to see someone who is able to write openly about what happens to us when we age. I have not read the collection yet, but it is getting good reviews and she has been interviewed widely. One person she spoke to was Terry Gross. The interview includes Heyman reading a couple short excerpts from the book . Thanks to my friend LC for telling me about Heyman.
Let me know if you have read Heyman’s book!